Illustrator Contract Template: What to Include

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If you are working as a freelance illustrator, it is vital that you and the client you are working with are on the same page when it comes to expected output, deadlines, and payment. This is why having a clear and professional illustrator contract is essential.

So, how exactly do you go about creating an illustrator contract? What do you need to include in it? Don’t worry, we’ve got you covered.

Discover how to create the perfect illustrator contract by reading this article, because we’ll be going over everything you need to know.

In this article, we’ll be taking a look at:

  • What is an illustrator contract?
  • When to use an illustrator contract template
  • Components of successful illustrator contracts
  • Types of illustrator contracts
  • How to use an illustrator contract sample
  • Tips for a great illustrator contract
  • Key takeaways
  • Frequently asked questions.

Let’s go ahead and jump right into it!

What Is an Illustrator Contract?

An illustrator contract, to put it simply, is a written agreement between an illustrator and the client that they are working with.

This contract is customized for specific projects and will cover essential information such as what the project entails, what is expected of the illustrator and client, deadlines, and the topic of fees and payment.


Benefits of an Illustrator Contract

An illustrator contract is an essential part of working as a freelance illustrator as it covers compensation and payment details, addresses intellectual property rights, and serves as a foundational document for an agreement with a client.

A professional and clear contract is something to fall back on should any issues arise surrounding payment or ownership of the content provided, such as intellectual property disputes.

When to Use an Illustrator Contract Template

So, how do you go about creating your illustrator contract?

One of the most helpful tools that you can utilize for this is an illustrator contract template. Using a template can be endlessly helpful when it comes to the formatting, structure, and key components of your contract.

Defining Scope of Illustration Work

Utilizing a template is a good idea as it outlines the scope of illustrations. This is the first aspect of your contract that you should define as it dictates the amount of work, the size of your fee, and more.

Provide specific details surrounding the work that you will be doing, such as the number of illustrations and what they will look like.

Establishing Intellectual Property Rights

Issues with intellectual property can be a pain to deal with, particularly in creative fields such as illustration.

This is one of the many reasons why you are going to want to establish the intellectual property rights of your work in your illustration work, as doing so will prevent confusion and help you further down the line if any legal issues arise.

Outlining Payment and Compensation

If you are going to be investing your time and effort into an illustration project, then you’re going to want to be paid appropriately. In your contract, outline the agreed-upon payment terms and amounts.

This will make sure that you and the client are on the same page when it comes to fees and payment.

Detailing Revision Policies

If your client is asking you to constantly revise and edit your illustration but is not offering you any compensation for the further work you are doing — this can be extremely frustrating.

Make sure that your contract sets clear revision policies, incorporates feedback and amendment procedures, and includes the protocol regarding compensation for additional work.

Protecting Confidential Client Information

If you are hired by a client, they are likely going to be trusting you with sensitive information regarding the project that you are working on.

In your contract, it is a good idea to outline the rules and expectations as this ensures the protection of the client’s confidential information.

Setting Project Timelines and Deadlines

Your client is going to want to know when to expect you to deliver content — just as much as you are going to want to know how much time has been allocated for you to work on this project. In your contract, be sure to set clear deadlines and draft up a timeline for the project.

If you’re looking for a great (and free!) illustrator contract template that is going to cover all of the essential components, then look no further! You can download Bonsai’s free illustrator contract template now.

Components of Successful Illustrator Contracts

What makes a successful illustrator contract? It all comes down to what components are included within the contract. Leaving essential information out of your contract can be extremely detrimental further down the line.

Let’s go ahead and take a look at some key components that make for a clear, professional, and successful illustrator contract.

Client and Illustrator Identification

The first thing that you are going to want to make sure you are including in your illustrator contract is the client and illustrator identification. This means detailing the names and relevant contact information of both the client and the illustrator.

Detailed Project Description

This section stipulates the project’s duration and includes a detailed description of the project that you are to be working on.

By doing so, you will ensure that both the illustrator and client know what is expected, and this will help eliminate confusion regarding project details.

Scope of Services and Deliverables

What exactly are you expected to provide the client with, as the illustrator? What will these illustrations look like?

Are there any other services that you are expected to provide? Having a clear outline that details the format and medium of deliverables, as well as the scope of your services is a key part of any illustration contract.

Payment Terms and Compensation Details

One of the most important aspects of any contract is the payment terms. This is going to ensure that you are being paid correctly, and the client knows how much they will be charged. Whether you charge hourly or per illustration, is it important to have this documented clearly in your contract.

Intellectual Property and Licensing Provisions

To avoid any legal troubles, you must have a section in your contract that clearly states the intellectual property and licensing provisions. This will ensure that you and the client are on the same page regarding who owns the content and what can and cannot be done with it once the project has concluded.

This section must highlight the consequences of breaches and violations. If your work is used outside its intended scope you may have cause to seek compensation.

Revision and Feedback Mechanisms

Another key component of any illustration contract is a section that outlines the revision and feedback mechanisms.

How many revisions can the client request you make? How will you be compensated for any revisions you make? Be sure to state clearly in your contract how this will work.

Confidentiality and Non-Disclosure Clauses

Many clients will want to be sure that you are not going to reveal any confidential details about the project to anyone, whether that be in person or on social media.

Including a section in your contract regarding confidentiality and non-disclosure clauses is going to keep you and the client on the same page and avoid any legal issues.

Project Timeline and Milestones

Your illustrator contract must emphasize the importance of deadlines and milestones.

This way, both you and the client will know when to expect content to be produced. Setting clear expectations is the best way to eliminate confusion and ensure work is completed promptly.

Types of Illustrator Contracts

There are many different types of projects and roles out there for illustrators — this means that there are also many different types of illustrator contracts.

Each distinct illustrator role is likely to require a contract that is best suited for it. Let’s go ahead and take a look at some of the different types of illustrator contracts.

Freelance Illustration Agreement

A freelance illustration agreement is one of the most common types of illustrator contract, and will often be used for one-off projects. This is an agreement where you, as an independent freelance illustrator, agree to provide services to a client for a certain project.

Licensing and Royalty Contract

A licensing and royalty contract is an agreement that focuses on the ownership of content and issues of intellectual property and distribution.

This type of contract will detail who owns what, and what happens to any money that is made through the distribution or use of this content.

Work-for-Hire Illustration Contract

A work-for-hire illustration contract refers to an agreement where the client has sole ownership and the right to use the content that you provide them with.

This contact confirms that the illustrations you create were made solely for the use of the client.

Retainer Agreement for Illustration Services

A retainer agreement for illustration services refers to instances where the client hires you beyond just one project.

This could mean you are hired for a set number of hours per week, during which you will produce content for the client. You may also be hired to produce a set amount of content, such as three illustrations for the client per week.

Book Illustration Contract

A book illustration contract, as the name suggests, is a contract that is used solely for those who have been hired to illustrate a book. This contract will include all of the essential components that are specific to book illustration work.

Magazine and Editorial Illustration Contract

Similar to a book illustration contract, a magazine, and editorial illustration contract is another specific contract that will include all information relevant to this field of illustration work.

How to Use an Illustrator Contract Sample

So, how exactly do you go about creating your illustrator contract? Good news — we’re here to help. Let’s go ahead and take a look at the steps you’ll need to take to create the perfect illustrator contract.

Selecting the Appropriate Template

The first step to creating a great illustrator contract is selecting an appropriate template. Make sure that the template you are selecting is the correct one for the job or project that you are taking on, whether this be freelance, work-for-hire, or any other form of illustrator contract.

Personalizing with Client and Illustrator Details

Once you have selected your illustrator contract template, you’re going to want to go ahead and personalize it. This means inputting relevant details such as the name and contact information of both you, as the illustrator, and the client you are working for.

Defining the Illustration Project Scope

Next, you will want to define the illustration project scope. This means detailing exactly what the project will look like, and what is expected from both parties during the agreement. This will help to eliminate confusion and keep you and the client on the same page.

Specifying Compensation and Payment Structure

Clearly and explicitly specifying the compensation and payment structure of your agreement is one of the most important parts of any contract. Detail the payment methods, what your fees are, and how any additional revisions will be compensated.

Incorporating Intellectual Property Clauses

You don’t want to complete a project only to run into intellectual property issues further down the line. Be sure to incorporate intellectual property clauses into your illustration contract to avoid any confusion or legal disputes.

For a great template that you can edit to suit your needs, you can download our Illustrator Contract Template now to simplify your design agreements and ensure a clear understanding of your professional collaborations.

Simply sign up to Bonsai, and you’ll have access to this and many more templates for use in your professional life!

Tips for a Great Illustrator Contract

Looking for ways to take your illustrator contract to the next level? Look no further. Let’s go over some tips that will make for a great illustrator contract.

Start with Clear Objectives

Starting your contract with clear project objectives will not only help you as the illustrator know what is expected of you, but it will also help the client understand what content you will be providing.

Define Deliverables Precisely

Define exactly what deliverables you are expected to provide, and the deadlines for these deliverables. Being clear and specific when defining deliverables is a crucial component of a successful illustrator contract.

Set Fair Compensation Structures

When setting out compensation structures, whether it be for your initial illustration work or subsequent revisions, ensure that they are fair, reasonable, and clearly described. This will ensure that your client knows the costs and expenses they will be expected to pay you for materials, artwork, and any other professional services.

Address Copyright and Licensing Clearly

Include a section in your illustration contract that clearly addresses copyright and licensing laws and how this will influence your agreement with your client.

A good contract specifies licensing and usage rights; having this information down in writing is a useful tool should any disputes arise regarding copyright and ownership of the content.

Specify Revision Limits and Charges

How many revisions can your client request that you make? Will you be paid for each one of these changes? Clearly state your revision limits and charges in your illustration contract so that both parties are aware of the limitations and charges.

Incorporate Detailed Timelines

Including a detailed timeline of the project in your illustration contract is going to make the entire process much smoother and will display to the client what work you are capable of doing, and when they should expect it to be completed.

Key Takeaways

At the end of the day, anyone who is planning on doing illustrating work should have a great illustration contract before they take on any project or job.

A contract requires mutual understanding and agreement as it guides both illustrator and client expectations and clarifies the roles and responsibilities of both parties.

A clear and professional illustration contract is going to ensure that you are protected legally, paid correctly, and know what is expected of you.

Illustrator contract templates are one of the most useful tools out there when it comes to creating a successful illustrator contract.

These templates can be revised to suit unique needs, will ensure that you are structuring your contract clearly, and are including all of the essential components that the contract requires.

If an illustrator contract doesn’t quite fit the bill for the work you’re doing, take a look at our Logo Design Template, Animation Template, Artist Template, or Publishing Template for something better suited.

Frequently Asked Questions

Still have a few questions regarding illustrator contracts? No worries! Let’s go ahead and take a look at some of the most frequently asked questions about illustrator contracts.

How Can I Customize an Illustrator Contract Template for My Needs?

You can customize an illustrator contract template to suit your specific needs by editing and personalizing the document to include information that is relevant to you and the project that you are working on.

Can I Use One Illustrator Contract Template for All My Projects?

While a standard illustrator contract template will generally work as a jumping-off point for a contract that will suit multiple projects, there are some agreements and roles that will require a specific contract, such as retainer agreements.

Do I Need a Lawyer to Draft or Review My Illustrator Contract?

While it is not necessary to do so, it is a good idea to have a lawyer review your illustration contract if you are in the position to do so. This will provide you with some extra reassurance and peace of mind. You may want them to check the contract provides clauses for dispute resolution and determines the terms of termination.

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Illustrator Contract Template: What to Include

Illustration Contract

Illustrator
First Name
Last Name
Acme LLC.
Client
First Name
Last Name
Corporation Corp.

This Contract is between Client (the "Client") and Acme LLC (the "Illustrator").

1. WORK AND PAYMENT.

1.1 Project. The Client is hiring the Illustrator to do the following: Details to be provided.

1.2 Schedule. The Illustrator will begin work on June 07, 2023 and will continue until the work is completed. This Contract can be ended by either Client or Illustrator at any time, pursuant to the terms of Section 6, Term and Termination.

1.3 Payment. The Client will pay the Illustrator a flat fee of $5,000.00 (USD). Of this, the Client will pay the Illustrator $100.00 (USD) before work begins.

1.4 Expenses. The Client will reimburse the Illustrator's expenses. Expenses do not need to be pre-approved by the Client.

1.5 Invoices. The Illustrator will invoice the Client at the end of the project. The Client agrees to pay the amount owed within 15 days of receiving the invoice. Payment after that date will incur a late fee of 0.0% per month on the outstanding amount.

1.6 Support. The Illustrator will not provide support for any deliverable once the Client accepts it, unless otherwise agreed in writing.

2. OWNERSHIP AND LICENSES.

2.1 Client Owns All Work Product. As part of this job, the Illustrator is creating “work product” for the Client. To avoid confusion, work product is the finished product, as well as drafts, notes, materials, mockups, hardware, designs, inventions, patents, code, and anything else that the Illustrator works on—that is, conceives, creates, designs, develops, invents, works on, or reduces to practice—as part of this project, whether before the date of this Contract or after. The Illustrator hereby gives the Client this work product once the Client pays for it in full. This means the Illustrator is giving the Client all of its rights, titles, and interests in and to the work product (including intellectual property rights), and the Client will be the sole owner of it. The Client can use the work product however it wants or it can decide not to use the work product at all. The Client, for example, can modify, destroy, or sell it, as it sees fit.

2.2 Illustrator's Use Of Work Product. Once the Illustrator gives the work product to the Client, the Illustrator does not have any rights to it, except those that the Client explicitly gives the Illustrator here. The Client gives permission to use the work product as part of portfolios and websites, in galleries, and in other media, so long as it is to showcase the work and not for any other purpose. The Client does not give permission to sell or otherwise use the work product to make money or for any other commercial use. The Client is not allowed to take back this license, even after the Contract ends.

2.3 Illustrator's Help Securing Ownership. In the future, the Client may need the Illustrator's help to show that the Client owns the work product or to complete the transfer. The Illustrator agrees to help with that. For example, the Illustrator may have to sign a patent application. The Client will pay any required expenses for this. If the Client can’t find the Illustrator, the Illustrator agrees that the Client can act on the Illustrator's behalf to accomplish the same thing. The following language gives the Client that right: if the Client can’t find the Illustrator after spending reasonable effort trying to do so, the Illustrator hereby irrevocably designates and appoints the Client as the Illustrator's agent and attorney-in-fact, which appointment is coupled with an interest, to act for the Illustrator and on the Illustrator's behalf to execute, verify, and file the required documents and to take any other legal action to accomplish the purposes of paragraph 2.1 (Client Owns All Work Product).

2.4 Illustrator's IP That Is Not Work Product. During the course of this project, the Illustrator might use intellectual property that the Illustrator owns or has licensed from a third party, but that does not qualify as “work product.” This is called “background IP.” Possible examples of background IP are pre-existing code, type fonts, properly-licensed stock photos, and web application tools. The Illustrator is not giving the Client this background IP. But, as part of the Contract, the Illustrator is giving the Client a right to use and license (with the right to sublicense) the background IP to develop, market, sell, and support the Client’s products and services. The Client may use this background IP worldwide and free of charge, but it cannot transfer its rights to the background IP (except as allowed in Section 11.1 (Assignment)). The Client cannot sell or license the background IP separately from its products or services. The Illustrator cannot take back this grant, and this grant does not end when the Contract is over.

2.5 Illustrator's Right To Use Client IP. The Illustrator may need to use the Client’s intellectual property to do its job. For example, if the Client is hiring the Illustrator to build a website, the Illustrator may have to use the Client’s logo. The Client agrees to let the Illustrator use the Client’s intellectual property and other intellectual property that the Client controls to the extent reasonably necessary to do the Illustrator's job. Beyond that, the Client is not giving the Illustrator any intellectual property rights, unless specifically stated otherwise in this Contract.

3. COMPETITIVE ENGAGEMENTS. The Illustrator won’t work for a competitor of the Client until this Contract ends. To avoid confusion, a competitor is any third party that develops, manufactures, promotes, sells, licenses, distributes, or provides products or services that are substantially similar to the Client’s products or services. A competitor is also a third party that plans to do any of those things. The one exception to this restriction is if the Illustrator asks for permission beforehand and the Client agrees to it in writing. If the Illustrator uses employees or subcontractors, the Illustrator must make sure they follow the obligations in this paragraph, as well.

4. NON-SOLICITATION. Until this Contract ends, the Illustrator won’t: (a) encourage Client employees or service providers to stop working for the Client; (b) encourage Client customers or clients to stop doing business with the Client; or (c) hire anyone who worked for the Client over the 12-month period before the Contract ended. The one exception is if the Illustrator puts out a general ad and someone who happened to work for the Client responds. In that case, the Illustrator may hire that candidate. The Illustrator promises that it won’t do anything in this paragraph on behalf of itself or a third party.

5. REPRESENTATIONS.

5.1 Overview. This section contains important promises between the parties.

5.2 Authority To Sign. Each party promises to the other party that it has the authority to enter into this Contract and to perform all of its obligations under this Contract.

5.3 Illustrator Has Right To Give Client Work Product. The Illustrator promises that it owns the work product, that the Illustrator is able to give the work product to the Client, and that no other party will claim that it owns the work product. If the Illustrator uses employees or subcontractors, the Illustrator also promises that these employees and subcontractors have signed contracts with the Illustrator giving the Illustrator any rights that the employees or subcontractors have related to the Illustrator's background IP and work product.

5.4 Illustrator Will Comply With Laws. The Illustrator promises that the manner it does this job, its work product, and any background IP it uses comply with applicable U.S. and foreign laws and regulations.

5.5 Work Product Does Not Infringe. The Illustrator promises that its work product does not and will not infringe on someone else’s intellectual property rights, that the Illustrator has the right to let the Client use the background IP, and that this Contract does not and will not violate any contract that the Illustrator has entered into or will enter into with someone else.

5.6 Client Will Review Work. The Client promises to review the work product, to be reasonably available to the Illustrator if the Illustrator has questions regarding this project, and to provide timely feedback and decisions.

5.7 Client-Supplied Material Does Not Infringe. If the Client provides the Illustrator with material to incorporate into the work product, the Client promises that this material does not infringe on someone else’s intellectual property rights.

6. TERM AND TERMINATION. This Contract is ongoing until the work is completed. Either party may end this Contract for any reason by sending an email or letter to the other party, informing the recipient that the sender is ending the Contract and that the Contract will end in 7 days. The Contract officially ends once that time has passed. The party that is ending the Contract must provide notice by taking the steps explained in Section 11.4. The Illustrator must immediately stop working as soon as it receives this notice, unless the notice says otherwise. The Client will pay the Illustrator for the work done up until when the Contract ends and will reimburse the Illustrator for any agreed-upon, non-cancellable expenses. The following sections don’t end even after the Contract ends: 2 (Ownership and Licenses); 3 (Competitive Engagements); 4 (Non-Solicitation); 5 (Representations); 8 (Confidential Information); 9 (Limitation of Liability); 10 (Indemnity); and 11 (General).

7. INDEPENDENT CONTRACTOR. The Client is hiring the Illustrator as an independent contractor. The following statements accurately reflect their relationship:

- The Illustrator will use its own equipment, tools, and material to do the work.- The Client will not control how the job is performed on a day-to-day basis. Rather, the Illustrator is responsible for determining when, where, and how it will carry out the work.- The Client will not provide the Illustrator with any training.- The Client and the Illustrator do not have a partnership or employer-employee relationship.- The Illustrator cannot enter into contracts, make promises, or act on behalf of the Client.- The Illustrator is not entitled to the Client’s benefits (e.g., group insurance, retirement benefits, retirement plans, vacation days).- The Illustrator is responsible for its own taxes.- The Client will not withhold social security and Medicare taxes or make payments for disability insurance, unemployment insurance, or workers compensation for the Illustrator or any of the Illustrator's employees or subcontractors.

8. CONFIDENTIAL INFORMATION.

8.1 Overview. This Contract imposes special restrictions on how the Client and the Illustrator must handle confidential information. These obligations are explained in this section.

8.2 The Client’s Confidential Information. While working for the Client, the Illustrator may come across, or be given, Client information that is confidential. This is information like customer lists, business strategies, research & development notes, statistics about a website, and other information that is private. The Illustrator promises to treat this information as if it is the Illustrator's own confidential information. The Illustrator may use this information to do its job under this Contract, but not for anything else. For example, if the Client lets the Illustrator use a customer list to send out a newsletter, the Illustrator cannot use those email addresses for any other purpose. The one exception to this is if the Client gives the Illustrator written permission to use the information for another purpose, the Illustrator may use the information for that purpose, as well. When this Contract ends, the Illustrator must give back or destroy all confidential information, and confirm that it has done so. The Illustrator promises that it will not share confidential information with a third party, unless the Client gives the Illustrator written permission first. The Illustrator must continue to follow these obligations, even after the Contract ends. The Illustrator's responsibilities only stop if the Illustrator can show any of the following: (i) that the information was already public when the Illustrator came across it; (ii) the information became public after the Illustrator came across it, but not because of anything the Illustrator did or didn’t do; (iii) the Illustrator already knew the information when the Illustrator came across it and the Illustrator didn’t have any obligation to keep it secret; (iv) a third party provided the Illustrator with the information without requiring that the Illustrator keep it a secret; or (v) the Illustrator created the information on its own, without using anything belonging to the Client.

8.3 Third-Party Confidential Information. It’s possible the Client and the Illustrator each have access to confidential information that belongs to third parties. The Client and the Illustrator each promise that it will not share with the other party confidential information that belongs to third parties, unless it is allowed to do so. If the Client or the Illustrator is allowed to share confidential information with the other party and does so, the sharing party promises to tell the other party in writing of any special restrictions regarding that information.

9. LIMITATION OF LIABILITY. Neither party is liable for breach-of-contract damages that the breaching party could not reasonably have foreseen when it entered this Contract.

10. INDEMNITY.

10.1 Overview. This section transfers certain risks between the parties if a third party sues or goes after the Client or the Illustrator or both. For example, if the Client gets sued for something that the Illustrator did, then the Illustrator may promise to come to the Client’s defense or to reimburse the Client for any losses.

10.2 Client Indemnity. In this Contract, the Illustrator agrees to indemnify the Client (and its affiliates and their directors, officers, employees, and agents) from and against all liabilities, losses, damages, and expenses (including reasonable attorneys’ fees) related to a third-party claim or proceeding arising out of: (i) the work the Illustrator has done under this Contract; (ii) a breach by the Illustrator of its obligations under this Contract; or (iii) a breach by the Illustrator of the promises it is making in Section 5 (Representations).

10.3 Illustrator Indemnity. In this Contract, the Client agrees to indemnify the Illustrator (and its affiliates and their directors, officers, employees, and agents) from and against liabilities, losses, damages, and expenses (including reasonable attorneys’ fees) related to a third-party claim or proceeding arising out of a breach by the Client of its obligations under this Contract.

11. GENERAL.

11.1 Assignment. This Contract applies only to the Client and the Illustrator. The Illustrator cannot assign its rights or delegate its obligations under this Contract to a third-party (other than by will or intestate), without first receiving the Client’s written permission. In contrast, the Client may assign its rights and delegate its obligations under this Contract without the Illustrator's permission. This is necessary in case, for example, another Client buys out the Client or if the Client decides to sell the work product that results from this Contract.

11.2 Arbitration. As the exclusive means of initiating adversarial proceedings to resolve any dispute arising under this Contract, a party may demand that the dispute be resolved by arbitration administered by the American Arbitration Association in accordance with its commercial arbitration rules.

11.3 Modification; Waiver. To change anything in this Contract, the Client and the Illustrator must agree to that change in writing and sign a document showing their contract. Neither party can waive its rights under this Contract or release the other party from its obligations under this Contract, unless the waiving party acknowledges it is doing so in writing and signs a document that says so.

11.4 Notices.

(a) Over the course of this Contract, one party may need to send a notice to the other party. For the notice to be valid, it must be in writing and delivered in one of the following ways: personal delivery, email, or certified or registered mail (postage prepaid, return receipt requested). The notice must be delivered to the party’s address listed at the end of this Contract or to another address that the party has provided in writing as an appropriate address to receive notice.

(b) The timing of when a notice is received can be very important. To avoid confusion, a valid notice is considered received as follows: (i) if delivered personally, it is considered received immediately; (ii) if delivered by email, it is considered received upon acknowledgement of receipt; (iii) if delivered by registered or certified mail (postage prepaid, return receipt requested), it is considered received upon receipt as indicated by the date on the signed receipt. If a party refuses to accept notice or if notice cannot be delivered because of a change in address for which no notice was given, then it is considered received when the notice is rejected or unable to be delivered. If the notice is received after 5:00pm on a business day at the location specified in the address for that party, or on a day that is not a business day, then the notice is considered received at 9:00am on the next business day.

11.5 Severability. This section deals with what happens if a portion of the Contract is found to be unenforceable. If that’s the case, the unenforceable portion will be changed to the minimum extent necessary to make it enforceable, unless that change is not permitted by law, in which case the portion will be disregarded. If any portion of the Contract is changed or disregarded because it is unenforceable, the rest of the Contract is still enforceable.

11.6 Signatures. The Client and the Illustrator must sign this document using Bonsai’s e-signing system. These electronic signatures count as originals for all purposes.

11.7 Governing Law. The laws of the state of [state] govern the rights and obligations of the Client and the Illustrator under this Contract, without regard to conflict of law principles of that state.

11.8 Entire Contract. This Contract represents the parties’ final and complete understanding of this job and the subject matter discussed in this Contract. This Contract supersedes all other contracts (both written and oral) between the parties.

THE PARTIES HERETO AGREE TO THE FOREGOING AS EVIDENCED BY THEIR SIGNATURES BELOW.

Illustrator
First Name
Last Name
Acme LLC.
Client
First Name
Last Name
Corporation Corp.