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What is an event photography contract?


An event photography contract is a written agreement that outlines the photographer's work for a client's event. Your event photography contract should encompass all details like the event date, event location, and the photography services included.

Why you need an event photography agreement


Photography contracts are a must-have to ensure both the photographer and the client agrees to the scope of work. They protect both parties should the expected work not turn out as planned.

As a photographer, you need an agreement to let your client know you're to be taken seriously and to cover your back should the event not go ahead or the client has a change of heart.

What should be included in an event photography contract?


There are many different types of events you could be shooting. However, what you'll need to include in a general event photography contract is relatively the same.

Even if you have prior written consent to shoot the event from your client—via email, for example—it doesn't count for anything if it's not in a signed and dated contract.

Here's what you need to include:

Named Parties and Relationships

Kick your contract off on the right foot with all-around introductions. Here you'll want to list the photographer and any assistants you're bringing to the event.

Although you won't need to list every guest attending, there may be a few people on the client's side you'll want to list.

For example, let's say you're shooting corporate events and a business is paying your contract. Here you can get prior written permission to take direction from three-four members of staff from the business.

Detailed description of work

This is not the specifics of what you're going to deliver, it’s a detailed description of what the client wishes and expects from you. You'll also want to include the event location in this clause.

For example, you may state you're shooting three corporate events and will appear for three hours at each event.

Event date and description

Photography contracts for events need to cover the event data and specific times you'll be shooting.

This is especially important at events like weddings. There's no point in hiring a photographer if you're only contracted to shoot three hours of people dancing at the end of the night.

Project requirements and responsibilities

Some of the best legal advice we can give for your contract is to detail the expected work. This is so important for photography as, although the client may see you snapping thousands of photos on the day, that doesn't mean they're going to get thousands of photos.

Here, both parties agree to a number of edited photos that the photographer will provide for the event by a certain date.

A top tip for shooting events: try to stagger out sending your edits over a few days or weeks. This way, you keep the client happy while the event is still at the top of their mind.

Check out our scope of work templates to provide your client with further details on project requirements.

Work product

This one's specific, depending on the type of event you're shooting. Some clients may be using the photos online, so they may not care too much for the size of your photos.

However, if you have clients hoping to see your photos in print, then size is pretty important! Work with your client and specify the work product together.

Payment details

Let's get you paid! It's important to keep in mind if you're the exclusive photographer for this event, if the photos will be for commercial use or private use, and any additional services the client has requested that are typically out of scope for an event photoshoot.

In your payment details include:

  • Hourly or project rate
  • Name, email, and mailing address for the photography invoice
  • Payment terms and conditions
  • Final date for the full payment

Copyright

You'll definitely want to seek legal advice should you wish to hold copyright ownership of the photographs. A specialized law firm can provide legal advice on this.

However, if you're happy to hand over copyright and ownership to your client—as is often the case with photography event agreements—then let the client know they get all rights to any photos you take.

It's also a good idea to state where they can use these photographs in the future. For example, on their social media sites, in print, advertising campaigns, or elsewhere.

Termination of contract

Events get canceled for many different reasons; we all know that and are used to that by now. However, it's important to establish the difference between an unforeseeable circumstance and the event getting canceled due to client neglect or change of heart.

If the client wishes to terminate your contract, this clause is the most important thing they'll be looking at. If you wish, it can include legal fees, penalty fees paid, attorneys fees, and legal counsel. Don't worry; the Bonsai contract template has this clause ready for you.

Other factors

Lastly, wrap up your contract with any tools you'll need access to, responsibility for responses, and extra information unique to your specific agreement.

Simple event photography contract template


Here you'll find your contract template for your event photography services.

Remember, this template is legally vetted by the pros. It has everything you need for a standard event photography agreement; all you need to do is make a few tweaks. Let's get these contracts signed!

What's the benefit of using Bonsai instead of editing a template yourself?


Bonsai templates are legally vetted and ready when you are. They live online, which means that as long as you can access your account, you can access them from any device.

They're also kept up to date, if there's a change in law, your online template will reflect that.

How to create an event photographer contract with Bonsai


Creating your contract in Bonsai can be done in minutes
. Set up your account, and you'll have the option to start a contract from scratch or work from a pre-made template that's specific to your service.

Once you've either build one from scratched or have edited a template to meet your needs, you can send the contract off to your client and will be notified when it's signed and legally binding.

Event photography contract template FAQs


How much should a photographer charge for events?

$150-$250 with a 2-hour minimum hire. However, this depends on the name you've created for yourself, your experience, the type of event, and the deliverables.

For more advice on getting into photography, check out this article.

Does a freelance photographer always need to write an Event Photography Contract?

Yes, yes, yes. No matter how big or small the event is, no matter how much you're getting paid, you need a contract in place.

This will protect you and your work, as well as give the client peace of mind knowing they're working with a professional and you're taking the job seriously.

Use this template
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The simplest way to create a legally sound contract. Check out an example below

Event Photography Contract Template

This Contract is between Sample Client (the "Client") and John Doe (the "Photographer").

The Contract is dated [the date both parties sign].

1. WORK AND PAYMENT.

1.1 Project. The Client is hiring the Photographer to do the following: The Photographer will assist the Client with photographing services.

1.2 Schedule. The Photographer will begin work on August 21, 2020 and the work is ongoing. This Contract can be ended by either Client or Photographer at any time, pursuant to the terms of Section 4, Term and Termination.

1.3 Payment. The Client will pay the Photographer a rate of $70.00 (USD) per hour. Of this, the Client will pay the Photographer $800.00 (USD) before work begins.

1.4 Expenses. The Client will reimburse the Photographer's expenses. Expenses do not need to be pre-approved by the Client.

1.5 Invoices. The Photographer will invoice the Client weekly. The Client agrees to pay the amount owed within 15 days of receiving the invoice. Payment after that date will incur a late fee of 5.0% per month on the outstanding amount.

2. OWNERSHIP AND LICENSES.

2.1 Client Owns All Work Product. As part of this job, the Photographer is creating “work product” for the Client. To avoid confusion, work product is the finished product, as well as drafts, notes, materials, mockups, hardware, designs, inventions, patents, code, and anything else that the Photographer works on—that is, conceives, creates, designs, develops, invents, works on, or reduces to practice—as part of this project, whether before the date of this Contract or after. The Photographer hereby gives the Client this work product once the Client pays for it in full. This means the Photographer is giving the Client all of its rights, titles, and interests in and to the work product (including intellectual property rights), and the Client will be the sole owner of it. The Client can use the work product however it wants or it can decide not to use the work product at all. The Client, for example, can modify, destroy, or sell it, as it sees fit.

2.2 Photographer’s Use Of Work Product. Once the Photographer gives the work product to the Client, the Photographer does not have any rights to it, except those that the Client explicitly gives the Photographer here. The Client gives the Photographer permission to use the work product as part of the Photographer's portfolio and websites, in galleries, and in other media, so long as it is to showcase the Photographer's work and not for any other purpose. The Photographer is not allowed to sell or otherwise use the work product to make money or for any other commercial use. The Client is not allowed to take back this license, even after the Contract ends.

2.3 Photographer’s Help Securing Ownership. In the future, the Client may need the Photographer’s help to show that the Client owns the work product or to complete the transfer. The Photographer agrees to help with that. For example, the Photographer may have to sign a patent application. The Client will pay any required expenses for this. If the Client can’t find the Photographer, the Photographer agrees that the Client can act on the Photographer’s behalf to accomplish the same thing. The following language gives the Client that right: if the Client can’t find the Photographer after spending reasonable effort trying to do so, the Photographer hereby irrevocably designates and appoints the Client as the Photographer’s agent and attorney-in-fact, which appointment is coupled with an interest, to act for the Photographer and on the Photographer’s behalf to execute, verify, and file the required documents and to take any other legal action to accomplish the purposes of paragraph 2.1 (Client Owns All Work Product).

2.4 Photographer’s IP That Is Not Work Product. During the course of this project, the Photographer might use intellectual property that the Photographer owns or has licensed from a third party, but that does not qualify as “work product.” This is called “background IP.” Possible examples of background IP are pre-existing code, type fonts, properly-licensed stock photos, and web application tools. The Photographer is not giving the Client this background IP. But, as part of the Contract, the Photographer is giving the Client a right to use and license (with the right to sublicense) the background IP to develop, market, sell, and support the Client’s products and services. The Client may use this background IP worldwide and free of charge, but it cannot transfer its rights to the background IP (except as allowed in Section 9.1 (Assignment)). The Client cannot sell or license the background IP separately from its products or services. The Photographer cannot take back this grant, and this grant does not end when the Contract is over.

2.5 Photographer’s Right To Use Client IP. The Photographer may need to use the Client’s intellectual property to do its job. For example, if the Client is hiring the Photographer to build a website, the Photographer may have to use the Client’s logo. The Client agrees to let the Photographer use the Client’s intellectual property and other intellectual property that the Client controls to the extent reasonably necessary to do the Photographer’s job. Beyond that, the Client is not giving the Photographer any intellectual property rights, unless specifically stated otherwise in this Contract.

3. REPRESENTATIONS.

3.1 Overview. This section contains important promises between the parties.

3.2 Authority To Sign. Each party promises to the other party that it has the authority to enter into this Contract and to perform all of its obligations under this Contract.

3.3 Photographer Has Right To Give Client Work Product. The Photographer promises that it owns the work product, that the Photographer is able to give the work product to the Client, and that no other party will claim that it owns the work product. If the Photographer uses employees or subcontractors, the Photographer also promises that these employees and subcontractors have signed contracts with the Photographer giving the Photographer any rights that the employees or subcontractors have related to the Photographer’s background IP and work product.

3.4 Photographer Will Comply With Laws. The Photographer promises that the manner it does this job, its work product, and any background IP it uses comply with applicable U.S. and foreign laws and regulations.

3.5 Work Product Does Not Infringe. The Photographer promises that its work product does not and will not infringe on someone else’s intellectual property rights, that the Photographer has the right to let the Client use the background IP, and that this Contract does not and will not violate any contract that the Photographer has entered into or will enter into with someone else.

3.6 Client Will Review Work. The Client promises to review the work product, to be reasonably available to the Photographer if the Photographer has questions regarding this project, and to provide timely feedback and decisions.

3.7 Client-Supplied Material Does Not Infringe. If the Client provides the Photographer with material to incorporate into the work product, the Client promises that this material does not infringe on someone else’s intellectual property rights.

4. TERM AND TERMINATION. This Contract is ongoing, until ended by the Client or the Photographer. Either party may end this Contract for any reason by sending an email or letter to the other party, informing the recipient that the sender is ending the Contract and that the Contract will end in 7 days. The Contract officially ends once that time has passed. The party that is ending the Contract must provide notice by taking the steps explained in Section 9.4. The Photographer must immediately stop working as soon as it receives this notice, unless the notice says otherwise. The Client will pay the Photographer for the work done up until when the Contract ends and will reimburse the Photographer for any agreed-upon, non-cancellable expenses. The following sections don’t end even after the Contract ends: 2 (Ownership and Licenses); 3 (Representations); 6 (Confidential Information); 7 (Limitation of Liability); 8 (Indemnity); and 9 (General).

5. INDEPENDENT CONTRACTOR. The Client is hiring the Photographer as an independent contractor. The following statements accurately reflect their relationship:

- The Photographer will use its own equipment, tools, and material to do the work.- The Client will not control how the job is performed on a day-to-day basis. Rather, the Photographer is responsible for determining when, where, and how it will carry out the work.- The Client will not provide the Photographer with any training.- The Client and the Photographer do not have a partnership or employer-employee relationship.- The Photographer cannot enter into contracts, make promises, or act on behalf of the Client.- The Photographer is not entitled to the Client’s benefits (e.g., group insurance, retirement benefits, retirement plans, vacation days).- The Photographer is responsible for its own taxes.- The Client will not withhold social security and Medicare taxes or make payments for disability insurance, unemployment insurance, or workers compensation for the Photographer or any of the Photographer’s employees or subcontractors.

6. CONFIDENTIAL INFORMATION.

6.1 Overview. This Contract imposes special restrictions on how the Client and the Photographer must handle confidential information. These obligations are explained in this section.

6.2 The Client’s Confidential Information. While working for the Client, the Photographer may come across, or be given, Client information that is confidential. This is information like customer lists, business strategies, research & development notes, statistics about a website, and other information that is private. The Photographer promises to treat this information as if it is the Photographer’s own confidential information. The Photographer may use this information to do its job under this Contract, but not for anything else. For example, if the Client lets the Photographer use a customer list to send out a newsletter, the Photographer cannot use those email addresses for any other purpose. The one exception to this is if the Client gives the Photographer written permission to use the information for another purpose, the Photographer may use the information for that purpose, as well. When this Contract ends, the Photographer must give back or destroy all confidential information, and confirm that it has done so. The Photographer promises that it will not share confidential information with a third party, unless the Client gives the Photographer written permission first. The Photographer must continue to follow these obligations, even after the Contract ends. The Photographer’s responsibilities only stop if the Photographer can show any of the following: (i) that the information was already public when the Photographer came across it; (ii) the information became public after the Photographer came across it, but not because of anything the Photographer did or didn’t do; (iii) the Photographer already knew the information when the Photographer came across it and the Photographer didn’t have any obligation to keep it secret; (iv) a third party provided the Photographer with the information without requiring that the Photographer keep it a secret; or (v) the Photographer created the information on its own, without using anything belonging to the Client.

6.3 Third-Party Confidential Information. It’s possible the Client and the Photographer each have access to confidential information that belongs to third parties. The Client and the Photographer each promise that it will not share with the other party confidential information that belongs to third parties, unless it is allowed to do so. If the Client or the Photographer is allowed to share confidential information with the other party and does so, the sharing party promises to tell the other party in writing of any special restrictions regarding that information.

7. LIMITATION OF LIABILITY. Neither party is liable for breach-of-contract damages that the breaching party could not reasonably have foreseen when it entered this Contract.

8. INDEMNITY.

8.1 Overview. This section transfers certain risks between the parties if a third party sues or goes after the Client or the Photographer or both. For example, if the Client gets sued for something that the Photographer did, then the Photographer may promise to come to the Client’s defense or to reimburse the Client for any losses.

8.2 Client Indemnity. In this Contract, the Photographer agrees to indemnify the Client (and its affiliates and its and their directors, officers, employees, and agents) from and against all liabilities, losses, damages, and expenses (including reasonable attorneys’ fees) related to a third-party claim or proceeding arising out of: (i) the work the Photographer has done under this Contract; (ii) a breach by the Photographer of its obligations under this Contract; or (iii) a breach by the Photographer of the promises it is making in Section 3 (Representations).

8.3 Photographer Indemnity. In this Contract, the Client agrees to indemnify the Photographer (and its affiliates and its and their directors, officers, employees, and agents) from and against liabilities, losses, damages, and expenses (including reasonable attorneys’ fees) related to a third-party claim or proceeding arising out of a breach by the Client of its obligations under this Contract.

9. GENERAL.

9.1 Assignment. This Contract applies only to the Client and the Photographer. The Photographer cannot assign its rights or delegate its obligations under this Contract to a third-party (other than by will or intestate), without first receiving the Client’s written permission. In contrast, the Client may assign its rights and delegate its obligations under this Contract without the Photographer’s permission. This is necessary in case, for example, another Client buys out the Client or if the Client decides to sell the work product that results from this Contract.

9.2 Arbitration. As the exclusive means of initiating adversarial proceedings to resolve any dispute arising under this Contract, a party may demand that the dispute be resolved by arbitration administered by the American Arbitration Association in accordance with its commercial arbitration rules.

9.3 Modification; Waiver. To change anything in this Contract, the Client and the Photographer must agree to that change in writing and sign a document showing their contract. Neither party can waive its rights under this Contract or release the other party from its obligations under this Contract, unless the waiving party acknowledges it is doing so in writing and signs a document that says so.

9.4 Notices.

(a) Over the course of this Contract, one party may need to send a notice to the other party. For the notice to be valid, it must be in writing and delivered in one of the following ways: personal delivery, email, or certified or registered mail (postage prepaid, return receipt requested). The notice must be delivered to the party’s address listed at the end of this Contract or to another address that the party has provided in writing as an appropriate address to receive notice.

(b) The timing of when a notice is received can be very important. To avoid confusion, a valid notice is considered received as follows: (i) if delivered personally, it is considered received immediately; (ii) if delivered by email, it is considered received upon acknowledgement of receipt; (iii) if delivered by registered or certified mail (postage prepaid, return receipt requested), it is considered received upon receipt as indicated by the date on the signed receipt. If a party refuses to accept notice or if notice cannot be delivered because of a change in address for which no notice was given, then it is considered received when the notice is rejected or unable to be delivered. If the notice is received after 5:00pm on a business day at the location specified in the address for that party, or on a day that is not a business day, then the notice is considered received at 9:00am on the next business day.

9.5 Severability. This section deals with what happens if a portion of the Contract is found to be unenforceable. If that’s the case, the unenforceable portion will be changed to the minimum extent necessary to make it enforceable, unless that change is not permitted by law, in which case the portion will be disregarded. If any portion of the Contract is changed or disregarded because it is unenforceable, the rest of the Contract is still enforceable.

9.6 Signatures. The Client and the Photographer must sign this document using Bonsai’s e-signing system. These electronic signatures count as originals for all purposes.

9.7 Governing Law. The laws of the state of North Carolina govern the rights and obligations of the Client and the Photographer under this Contract, without regard to conflict of law principles of that state.

9.8 Entire Contract. This Contract represents the parties’ final and complete understanding of this job and the subject matter discussed in this Contract. This Contract supersedes all other contracts (both written and oral) between the parties.

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